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It’s pure fiction, but its captivating delivery makes even the implausible seem possible.
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While the beginning of the film is somewhat slow, the third act is reminiscent of the Jason Bourne series, and to say the film keeps you on the edge of your seat would be an understatement.
This is not surprising, of course, when you consider the source: Paul Haggis, the talented writer-director-producer, and one of the few in Oscar® history to pull off back-to-back nominations in the writing category (2004—“Million Dollar Baby,” 2005—“Crash” winner). And what about their six year old being teased at school about a mommy that’s in jail for murder? Can a family like this ever be reunited, and if so, at what cost?
While this was an adaptation from the 2008 French film “Pour Elle,” he managed to make it his own and delivered, what many will argue, a better product than the original. Can a father continue to raise a son without the woman he loves so deeply?
The movie has three acts: The Next Three Years, The Next Three Months, and the Next Three Days—compacted in a series of a few start-stop flashbacks and flash forwards, but adding little complication to the script. Russell Crowe convincingly fills the role of a community college literature professor (John Brennan) who is madly in love with his wife Lara (Elizabeth Banks) and son Luke, until “life happens.” In one of those acts, his wife Lara is arrested for a murder she did not commit, and that’s where the story really takes a turn. Of course, this genre generally negates a Christian worldview, and this one is no exception.
“The Next Three Days” promotes the traditional Romantic idealistic worldview, i.e., that man is moved by his heart and emotions, and that he is essentially good and that “good” will prevail if left alone.